IMPORTANT FILMS
Jaws 1975 Steven Speilberg
Peeping Tom 1960 Michael Moore
Pulp Fiction 1994 Quentin Tarantino
The Big Parade 1925 King Vidor
Trainspotting 1996 Danny Boyle
Childs Play 1993 Don Mancini
Friday 31 March 2017
British Board of Film Classification
The British Board of Film Classification gives age ratings to films in Britain since 1912 I researched the organisation for my report. Britain has the following age ratings UM PG, 12/12A, 15 and 18. The organisation can and has banned films.
The American version is titled the Motion Picture Association of America (MPAA) and the Japanese is titled Eiga rinri linkai (Eirin).
The British Board of Film Classification gives age ratings to films in Britain since 1912 I researched the organisation for my report. Britain has the following age ratings UM PG, 12/12A, 15 and 18. The organisation can and has banned films.
The American version is titled the Motion Picture Association of America (MPAA) and the Japanese is titled Eiga rinri linkai (Eirin).
Cleveland College of Art and Design Libary research
I looked at the following books Japanese Film, Film and Video Censorship in Modern Britain, THE HIDDEN CINEMA, Movies of the Thirties, History of the American Cinema GRAND DESIGN, Censored, Flesh and Blood and the Censorship Debate.
Film and Video Censorship in Modern Britain was the most helpful providing examples of imitable such as the Bulger and Capper murders in 1993, Information on the Hays code such as what films it affected and film banning.
I looked at the following books Japanese Film, Film and Video Censorship in Modern Britain, THE HIDDEN CINEMA, Movies of the Thirties, History of the American Cinema GRAND DESIGN, Censored, Flesh and Blood and the Censorship Debate.
Film and Video Censorship in Modern Britain was the most helpful providing examples of imitable such as the Bulger and Capper murders in 1993, Information on the Hays code such as what films it affected and film banning.
Wednesday 4 January 2017
Mind Movie
My idea is a gangster movie about this duo who both think
they know best. They both break the fourth wall.
It opens on them eating a meal together like in
reservoirs dogs acting like old friends and appearing like two good normal guys
till they start discussing how they spend their days collecting protection
money and the bad business of hurting people more than they have to.
Argument stops and one of them turns and talks
directly to
the audience like Frank Underwood from House of Cards.
They get up and leave for their next job conversing casually
to down play how they are vicious criminals.
Then it cuts to them in the bathroom washing blood of
their hands. They argue over whether what happened was necessary.
10 Week Plan
1) 24/10/16 - Create both your story ideas both your
makeable and unmake able ideas.
2) 31/10/16 3 - minute script, mind movie, storyboard.
3) 07/11/16 10 - minute script Begin work on second script.
4) 14/11/16 - Focus on second script make it 3 minutes.
5) 21/11/16 - Make second script 10 minutes.
6) 28/11/16 - Finish the first draft for both ideas.
7) 05/12/16 - Begin draft 2 3-minute script.
8) 02/01/17 - Ten-minute script for draft 2.
9) 09/01/17 - Finish both final drafts.
10) 16/01/17 - present both drafts to the group.
Friday 9 December 2016
Camera and Sound Op
For both camera and sound I knew I needed to be a team player and follow what both Dan and Lydia wanted for their Me Myself and I and not cloud their vision.Still however I wanted to do a good job so I made sure to hold the sound in the air when I did not have to so I was always aware of the pole and never let it slip into shot.
With the camera I practiced with my own camera at home to keep my hands steady and careful and my timing right. Martin Scorsese typically has excellent and intriguing camera work so I studied him in case I ever got a chase to do try something like his.
For both camera and sound I knew I needed to be a team player and follow what both Dan and Lydia wanted for their Me Myself and I and not cloud their vision.Still however I wanted to do a good job so I made sure to hold the sound in the air when I did not have to so I was always aware of the pole and never let it slip into shot.
With the camera I practiced with my own camera at home to keep my hands steady and careful and my timing right. Martin Scorsese typically has excellent and intriguing camera work so I studied him in case I ever got a chase to do try something like his.
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